Instead of filling up this blog with things/garbage that I find online I decided to open a Tumblr.
You'll find a random collections of things I've happened to stumble online, hence the name, Repositor... aka. Repository
Since I have pretty much stopped blogging for some time now I figured I'd put it up here in case you ever want to have a laugh or find something interesting.
Cheers all.
You'll find a random collections of things I've happened to stumble online, hence the name, Repositor... aka. Repository
Since I have pretty much stopped blogging for some time now I figured I'd put it up here in case you ever want to have a laugh or find something interesting.
Cheers all.
Ever wondered what fonts would look like if there were real people??
From the comedy masters CollegeHumor.
*Warning* Only designers and people who work with fonts will appreciate the humor.
From the comedy masters CollegeHumor.
*Warning* Only designers and people who work with fonts will appreciate the humor.
It's been quite some time since I have posted anything here, due to Christmas, vacations and all that riff-raff.
But here is the latest photo that I worked on.
Taken during a photo-shoot with a friend of mine. Unfortunately I was only able to use a couple of photos from that photo-shoot.
Tools used:
Adobe Photoshop CS3
Adobe Lightroom 2
But here is the latest photo that I worked on.
Taken during a photo-shoot with a friend of mine. Unfortunately I was only able to use a couple of photos from that photo-shoot.
Tools used:
Adobe Photoshop CS3
Adobe Lightroom 2
Labels: Adobe Lightroom, DeviantART, Photography, Photos, Photoshop
Here are some photos from a couple of weeks ago that I took for the concept design of a music CD (tentatively) titled "Sonhos do Meu Coração" aka. "Dreams of the Heart"
They wanted a pensive, dreamy feel for the cover, so that explains some of the 'strange' pose.
This was one of the chosen images for the cover.
Another one of the images shot for the concept art of the CD cover.
Post-processing done in Adobe Lightroom 2.
I have one or two more images which I will post when I have the time
They wanted a pensive, dreamy feel for the cover, so that explains some of the 'strange' pose.
Post-processing done in Adobe Lightroom 2.
I have one or two more images which I will post when I have the time
Labels: Adobe Lightroom, DeviantART, Photography, Photos
20 Ways to Take Stunning Portraits, Part 1
1 Comments Published by JM on Thursday, September 18, 2008 at 10:06 PM.
1. Alter Your Perspective
Most portraits are taken with the camera at (or around) the eye level of the subject. While this is good common sense - completely changing the angle that you shoot from can give your portrait a real WOW factor.
Get up high and shoot down on your subject or get as close to the ground as you can and shoot up. Either way you’ll be seeing your subject from an angle that is bound to create interest.
2. Play with Eye Contact
It is amazing how much the direction of your subject’s eyes can impact an image. Most portraits have the subject looking down the lens - something that can create a real sense of connection between a subject and those viewing the image. But there are a couple of other things to try:
A. Looking off camera - have your subject focus their attention on something unseen and outside the field of view of your camera. This can create a feeling of candidness and also create a little intrigue and interest as the viewer of the shot wonders what they are looking at. This intrigue is particularly drawn about when the subject is showing some kind of emotion (ie ‘what’s making them laugh?’ or ‘what is making them look surprised?’). Just be aware that when you have a subject looking out of frame that you can also draw the eye of the viewer of the shot to the edge of the image also - taking them away from the point of interest in your shot - the subject.
B. Looking within the frame - alternatively you could have your subject looking at something (or someone) within the frame. A child looking at a ball, a woman looking at her new baby, a man looking hungrily at a big plate of pasta…. When you give your subject something to look at that is inside the frame you create a second point of interest and a relationship between it and your primary subject. It also helps create ’story’ within the image.
3. Break the Rules of Composition
There are a lot of ‘rules’ out there when it comes to composition and I’ve always had a love hate relationship with them. My theory is that while they are useful to know and employ that they are also useful to know so you can purposely break them - as this can lead to eye catching results.
The Rule of Thirds is one that can be effective to break - placing your subject either dead centre can sometimes create a powerful image - or even creative placement with your subject right on the edge of a shot can sometimes create interesting images.
Another ‘rule’ that we often talk about in portrait photography is to give your subject room to look into. This can work really well - but again, sometimes rules are made to be broken.
4. Experiment with Lighting
Another element of randomness that you can introduce to your portraits is the way that you light them. There are almost unlimited possibilities when it comes to using light in portraits.
Side-lighting can create mood, backlighting and silhouetting your subject to hide their features can be powerful.
Using techniques like slow synch flash can create an impressive wow factor.
The photographer and the subject agreed that there were plenty of useable shots but they wanted to create something ’special’ and out of the box. The photographer suggested they try some ‘jumping’ shots. The subject was a little hesitant at first but stepped out into the uncomfortable zone and dressed in his suit and tie started jumping!
The shots were amazing, surprising and quite funny. The shoot culminated with the subject jumping in his pool for one last image!
While this might all sound a little ’silly’ the shots ended up being featured in a magazine spread about the subject. It was the series of out of the box images that convinced the magazine he was someone that they’d want to feature.
Most portraits are taken with the camera at (or around) the eye level of the subject. While this is good common sense - completely changing the angle that you shoot from can give your portrait a real WOW factor.
Get up high and shoot down on your subject or get as close to the ground as you can and shoot up. Either way you’ll be seeing your subject from an angle that is bound to create interest.
2. Play with Eye Contact
It is amazing how much the direction of your subject’s eyes can impact an image. Most portraits have the subject looking down the lens - something that can create a real sense of connection between a subject and those viewing the image. But there are a couple of other things to try:
A. Looking off camera - have your subject focus their attention on something unseen and outside the field of view of your camera. This can create a feeling of candidness and also create a little intrigue and interest as the viewer of the shot wonders what they are looking at. This intrigue is particularly drawn about when the subject is showing some kind of emotion (ie ‘what’s making them laugh?’ or ‘what is making them look surprised?’). Just be aware that when you have a subject looking out of frame that you can also draw the eye of the viewer of the shot to the edge of the image also - taking them away from the point of interest in your shot - the subject.
B. Looking within the frame - alternatively you could have your subject looking at something (or someone) within the frame. A child looking at a ball, a woman looking at her new baby, a man looking hungrily at a big plate of pasta…. When you give your subject something to look at that is inside the frame you create a second point of interest and a relationship between it and your primary subject. It also helps create ’story’ within the image.
3. Break the Rules of Composition
There are a lot of ‘rules’ out there when it comes to composition and I’ve always had a love hate relationship with them. My theory is that while they are useful to know and employ that they are also useful to know so you can purposely break them - as this can lead to eye catching results.
The Rule of Thirds is one that can be effective to break - placing your subject either dead centre can sometimes create a powerful image - or even creative placement with your subject right on the edge of a shot can sometimes create interesting images.
Another ‘rule’ that we often talk about in portrait photography is to give your subject room to look into. This can work really well - but again, sometimes rules are made to be broken.
4. Experiment with Lighting
Another element of randomness that you can introduce to your portraits is the way that you light them. There are almost unlimited possibilities when it comes to using light in portraits.
Side-lighting can create mood, backlighting and silhouetting your subject to hide their features can be powerful.
Using techniques like slow synch flash can create an impressive wow factor.
5. Move Your Subject Out of their Comfort Zone
I was chatting with a photographer recently who told me about a corporate portrait shoot that he had done with a business man at his home. They’d taken a lot of head and shoulder shots, shots at his desk, shots in front of framed degrees and other ‘corporate’ type images. They had all turned out fairly standard - but there was nothing that really stood out from the crowd.The photographer and the subject agreed that there were plenty of useable shots but they wanted to create something ’special’ and out of the box. The photographer suggested they try some ‘jumping’ shots. The subject was a little hesitant at first but stepped out into the uncomfortable zone and dressed in his suit and tie started jumping!
The shots were amazing, surprising and quite funny. The shoot culminated with the subject jumping in his pool for one last image!
While this might all sound a little ’silly’ the shots ended up being featured in a magazine spread about the subject. It was the series of out of the box images that convinced the magazine he was someone that they’d want to feature.
Labels: Digital Photography School, DPS Blog, Photography, Photography Tips, Photos
A short video clip I made for our Sunday event that ended up getting postponed to next Sunday. It took me a couple of days to make (In my free time) because I was learning how to use Premiere CS3.
Will post more info on the video later.
Enjoy!
Will post more info on the video later.
Enjoy!
Labels: Music, Music Video, Premiere CS3, Video, YouTube
Yes, time flies!
Just a quick update.
Worked on an audio CD recently: "A Passagem" (aka. "The Ticket")
Went to Rio to mingle with Nan & Co., and learn how to properly produce music with insane deadlines. (Hint: Having a professional do it is an essential part in being successful)
Helped out with my 2 cents on the cover design, enough to land my name in the cover design, but the real credit goes to Calebe and Curi.
After the CD recording madness, we went on to dupe and print the covers and booklets here, (Never again!!) while prepping for a Seminar. I survived, and slept for an entire day after the event.
So now a couple of weeks later, I am still trying to get back to normal. Until I figured...
Disclaimer! All recording & production photos in the CD spread are mine. I just didn't want to be an ass and have my name dominate the credit list.
Just a quick update.
Worked on an audio CD recently: "A Passagem" (aka. "The Ticket")
Went to Rio to mingle with Nan & Co., and learn how to properly produce music with insane deadlines. (Hint: Having a professional do it is an essential part in being successful)
Helped out with my 2 cents on the cover design, enough to land my name in the cover design, but the real credit goes to Calebe and Curi.
After the CD recording madness, we went on to dupe and print the covers and booklets here, (Never again!!) while prepping for a Seminar. I survived, and slept for an entire day after the event.
So now a couple of weeks later, I am still trying to get back to normal. Until I figured...
What the hell! Things won't go back to normal.After that things started to go back to normal. So here I am, adjusting to the new 'normal'. Once I am properly adjusted, I am sure something else will come along to jolt me again. This time I have time to put on my seat-belt.
Disclaimer! All recording & production photos in the CD spread are mine. I just didn't want to be an ass and have my name dominate the credit list.
